Trying to sort out GoPro editing software? You're in the right place! In this post, you'll learn about your options for great GoPro editing software. I'll cover both. Go. Pro Hero 4: Everything You Need to Know. Oh, thank goodness. The embargo has lifted. I’m terrible at keeping secrets. Back in July, I spent a week diving and flying drones with the Go. Pro creative team off the northern coast of New Zealand. It seems Canon will be extending its Powershot, DSLR, EOS M and lens rebates through October. How do I know? Well, Canon recently published details for the next. The GoPro HERO Session takes action cameras to the next level. 50% smaller and 40% lighter than any GoPro ever made, it is the perfect solution for thrill seekers and. Helpful accessories for timelapse shooters. Battery Grip Most DSLR’s have an accessory available that allows you to extend the size of the camera’s battery. We had six prototype models of the just- announced Hero 4 in both the black and the silver editions. The shoot, which I wrote about in another story, was part of the Hero 4 launch video that Go. Pro just released Monday. ![]() We followed Kiwi orca researcher Ingrid Visser as she attempted to film wild killer whale behavior from the water.)The specs on these cameras have been leaking out for months, and indeed they’re kind of a game changer.The black edition offers true 4.K resolution—that’s 4,0.Phone 6. It’s a serious camera in a very small package.If you’re a photo geek, here’s the rundown: giant 4.K images at 3. 0 frames per second (fps), really big 2. . K images at up to 4. It also shoots 1. Go. Pro. Yes, the Hero 4 is probably the beginning of the end for 1. HD for the past three years. You. Tube recently upgraded to 4. K.) For me, the moment of clarity was importing an interview shot simultaneously with three different cameras: my Canon 5. D Mark III (still the go- to DSLR for a lot of photo/video journalists), the Hero 3+ black edition, and the Hero 4 black edition. Go. Pro)The Hero 4 footage wasn’t just bigger, it was also clearer, which is saying a lot for a camera that costs $5. The Canon Mark III and the Nikon D8. But between Go. Pro attacking from below and upstart cinema brands like Red Camera assaulting the high- end production market from above, traditional video and still- camera makers need to do some serious innovating and soul searching before they get squeezed out of the sandbox. If you’re not a camera geek, the Hero 4 is even better, because it’s the most user- friendly model yet. The engineers at Go. Pro have replaced the side Wi- Fi button with a setting button that lets you quickly change the settings on whichever mode the camera is in at the time. And the battery—long the Go. Pro's Achilles heel, as people tend to turn the camera on and leave it on—now drops into a quick- release magazine that feels more like a DSLR. For straight run time, I was able to switch on the H4 and record intermittently, like I would on a ski day, for 2 hours and 1. Note: Your Hero 3 batteries won’t be compatible with the Hero 4, which is a bummer in the name of progress if you’ve collected a bunch of them and a charger. The $3. 99 Hero 4 silver edition has the same resolution options as the Hero 3+ but adds user- friendly features like a touch- screen back that lets you quickly toggle between modes and playback. It also features Go. Pro’s Protune settings for photo. It doesn’t have the horsepower of the H4 black edition, but it allows you to see what you’re shooting. Both the H4 black and silver editions come with a waterproof housing that’s compatible with the H3+, two quick- release adhesive pads, one battery, and the skeleton back. A micro. SD card isn’t included, so you’ll need to plan on buying at least one of those. At a media event I attended on Thursday in San Francisco, the company also made a surprise announcement of a price- point model, the Go. Pro Hero, which will retail for $1. This comes only weeks after Polaroid announced its $9. Cube action camera. The point of the Hero is clearly meant to attract even younger users. Like all cameras, the most important thing isn’t the technology but how you use it. Here’s our primer on how to get the most out of your Hero 4. Making the Most of the Go. Pro Hero 4’s Settings. For most of us, picking the right settings is all about the trade- off between speed and quality. The more of the camera’s sensor we want to use, the slower we have to shoot as a result. So if you want extreme slo- mo of your buddy’s cliff huck, you’re willing to sacrifice 4. K image quality to capture every millisecond of hangtime. Rather than bore you with the explanations, these are the best recipes for certain situations. Default: The most basic, go- to setting on your Hero 4 is 2. K x 4. 8 fps. You’re using most of the sensor here, which means that if you’re shooting blind—as you do with the camera strapped to your head or a ski pole—you can crop up or down to pick the best part of the frame in your eventual widescreen edit. At 4. 8 fps, you’re also shooting fast enough that if something exciting happens, you can slow the action down to half speed when you’re editing. Fast Action: 1. K x 1. Image quality starts to degrade noticeably when you capture frames at this rate, so only use it when you’re really going to slow things down after the fact. I tested this setting in San Francisco last week with Olympic snowboarding gold medalist Hannah Teter. Interviews: Most movies involve at least a little talking. Maybe you don’t need a sit- down interview, but a drive- and- talk or a walk- and- talk can help add context. Use 4. K x 2. 4 fps when you want to record someone’s face while they’re talking—2. If you know there’ll never be a reason to slow down your video—like if it matters what’s being said on camera—then go ahead and use the entire 4. K sensor. You’ll be able to do slow, dramatic Ken Burns–style push- ins on your subject by scaling up the video a few percent over a few seconds in your edit.And because the Hero 4 has a fixed 1.Batteries: Make Your Go. . Pro Last. The most common and enduring complaint about Go. Pro cameras is that they chew through batteries. Unfortunately, shorter battery life is the cost of shooting large images at a high frame rate in a small camera. The Hero 4 gets about the same two- hour battery life as the previous models. Given the battery’s size, the problem is more that people forget to turn it off than its poor life span. But there are some fixes. The easiest is to carry a stack of batteries. Anyone who shoots a DSLR knows that you don’t leave home with just one battery. The Hero 4’s dual battery charger costs $4. USB outlet. As a serious improvement in customer relations over the H3+ charger, this one actually comes with a second battery. If you buy a Hero 4, the battery charger and at least two spare batteries should be the next thing you buy. If you want to run a camera in your car as a dash cam—I saw all the storm chasers do this when I was reporting on tornados last year—just run a USB cable from your car’s cigarette lighter to the camera’s mini- USB port. Go. Pro)If you’re out in the field, or if you really need the battery to last a long time, Brunton makes a rechargeable lithium battery brick called the Heavy Metal that can either recharge your Go. Pro batteries in their charger or charge/power the camera directly. I can usually charge two Go. Pro batteries on one of these bricks. If you’re trying to shoot an all- night time lapse, you’ll definitely need an external power source like the Brunton to make it till dawn. Brunton also makes a Go. Pro- specific battery called the All Day that snaps onto the back of the Hero 3+, but it hasn’t rolled out a Hero 4 model yet. Mounts for the Go. Pro Hero 4. You bought the camera, but it turns out that’s just the beginning. Don’t worry, you don’t need really complicated spinner mounts and third- person fly- behind poles sticking out of your pack to make great video. You can always just hold the camera in your hand with no mount, but it’s better to have one or two go- to ways to position the camera. Good mounts start with the case. If you aren’t going swimming or whitewater kayaking with your camera, don’t use the dive housing. It muffles the camera’s microphone, which is capable of capturing pretty clear audio when it’s not encased in plastic. Instead, use the skeleton back on your underwater housing. It’s less obtrusive and still offers some protection from rain and snow. Better yet, get the Frame case—a black plastic holder with a quick- release that allows you to quickly get the camera into and out of the frame. The Frame is the most popular housing among Go. Pro’s in- house creative staff. Next, even though you’re used to seeing people snap Go. Pros to their helmets with those sticky quick- release mounts, you don’t have to start gluing plastic widgets to everything you want to attach a camera to. That’s the old way. For the new way, read on. The head mount is probably the most useful. Your melon is often more stable than the rest of your body and always points toward the most interesting thing that’s happening in a room. For POV video, it’s the natural place to start.
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